Wednesday, 9 June 2010
Tuesday, 1 June 2010
this weekend i...
i made these after thinking about what peter said as to whether we take it 'to the next level' with scaling up the idea of animal heads or leave it as it is. with these we can make an informed decision and decide completely why we would have it how we would. also had a thought that maybe the part where marie is dancing with captain is when actually a big masquerade ball and so the costume would be more elaborate and obvious as it is 'fancy dress' and then it would be quite interesting to show this as woyzeck's completion in to insanity. as to the doctor, me and charlie were talking and perhaps he should be human? because if he's meant to be higher in the food chain than the lion perhaps that is a human, also interesting as animal cruelty/testing?
in no way are these finals but they are just to give an idea to how it would look and to show EXPERIMENTATION so....
just an idea that the captain who we haven't got an animal for yet (could be wrong) could be a wolf, predator etc.
Looking at physical theatre. Rather than just 'dance' in integrates the text much better
- Work is often devised, rather than originated from a pre-existing script (an exception to this would be Shared Experience who focus on making contemporary reinterpretations of highly literary plays including A Doll's House by Ibsen and War and Peace by Tolstoy).
- Work has inter-disciplinary origins - it crosses between music, dance, visual art as well as theatre.
- Work challenges the traditional, proscenium arch, performer/audience relationship.
- Work celebrates the non-passive audience.
- Work utilises the imagination of the audience in conjunction with the imagination of the performers
originated from jaques lecoq clowning school, and i can see links now from our lesson. We used object manipulation and the pipes are also being used for many different purposes by the performers.
looked up the adaptations they recommended
http://www.batedbreaththeatre.org/about_us/mission.html
this is one of the plays 'a dolls house' by bate breath theatre company.
put more up later xxx
Monday, 31 May 2010
walking on the pipes
hey flozzer thats a good example of how wide we want the pipes to be...also are they gong to be bare footed because we need to see if they would slip off etc... im getting my housemate to take pictures of me on a climbing frame, how else can we develop our ideas with the set? we could do the trapeses thing would be really worth it i reckon, just quite expensive?? what do you guys think?
Sunday, 30 May 2010
Friday, 28 May 2010
Feedback
Sorry for late posting i passed some onto florence already but here is the full list of suggestions to look at.
Linking our peice to nature?
Is the pipes the wilderness or is man the human natural form? Define this clearer.
I have done some stage drawings of the pipes inspired by leaves and the patterns within them. However I see the man/beast symbolising the nature in our peice.
Is it true to the text? As we are going more abstact we can afford to move away from the text if we wish. Are ALL the scenes vital? Is it a more movement peice (physical theatre?)I like the idea of combining movement and play?? http://www.franticassembly.co.uk/pl24.html(Stockholm by frantic assembly)
The pipes as practicality. How wide? Can they walk on them? Harness? (i think no harness make the audience sweat!) What kind of actors do we need? dancers? acrobats/moutain climbers???
The pipes theme. 70s stage design? CLICHE!! beware of that! or consiously put it in. Making it different by using water through the pipes/ using the idea of a cage. is it boring with no change?? should we have pipes that fly in? or something else? no inside/outwside good or bad!!! Test with....
climbing frames
gym equipment
zoo
circuis space
Look at peter brook 'midsummers night dream' and some play by sally jacobs that i dont have the name of
The characters
Is a lion appropriote? As it suggests no hope for woyzech the whole time. is the drum major the leader of everyone??? doctor has power but frog doesnt resemble this so much. dog can be feral and wild?
Animals
How we treat animals is coming up as a strong theme.
Watch 'the animals film
re invent it???
kate xxxxxx
Linking our peice to nature?
Is the pipes the wilderness or is man the human natural form? Define this clearer.
I have done some stage drawings of the pipes inspired by leaves and the patterns within them. However I see the man/beast symbolising the nature in our peice.
Is it true to the text? As we are going more abstact we can afford to move away from the text if we wish. Are ALL the scenes vital? Is it a more movement peice (physical theatre?)I like the idea of combining movement and play?? http://www.franticassembly.co.uk/pl24.html(Stockholm by frantic assembly)
The pipes as practicality. How wide? Can they walk on them? Harness? (i think no harness make the audience sweat!) What kind of actors do we need? dancers? acrobats/moutain climbers???
The pipes theme. 70s stage design? CLICHE!! beware of that! or consiously put it in. Making it different by using water through the pipes/ using the idea of a cage. is it boring with no change?? should we have pipes that fly in? or something else? no inside/outwside good or bad!!! Test with....
climbing frames
gym equipment
zoo
circuis space
Look at peter brook 'midsummers night dream' and some play by sally jacobs that i dont have the name of
The characters
Is a lion appropriote? As it suggests no hope for woyzech the whole time. is the drum major the leader of everyone??? doctor has power but frog doesnt resemble this so much. dog can be feral and wild?
Animals
How we treat animals is coming up as a strong theme.
Watch 'the animals film
re invent it???
kate xxxxxx
stage designs
this went wrong when uploading photos, sorry but i'm going to print them off and i'll show you all of them when i see you, sorry for bad posting


nicholas georgiadis set design for Les Hermanas, a sadlers wells ballet, 1971

peter j davison-edward II
struttgart ballet 1995

ralph koltai-metropolis, machine room 1989

nicholas georgiadis set design for Les Hermanas, a sadlers wells ballet, 1971
peter j davison-edward II
struttgart ballet 1995
ralph koltai-metropolis, machine room 1989
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